Sequoia::Hack 2016

Super exciting to be part of the hackathon as a judge and mentor for the second year in a row. More than 5500 people applied this year to participate, and it was an amazing turnout. Inspiring to see so many teams come together to build something awesome in 24 hrs. And it is always a learning experience mentoring teams as they develop an idea into realization in a frantic rush to the finish line.

The "Slightly Mad" team talks to me about their foot scanner concept. Loved their design process and teamwork!

The "Slightly Mad" team talks to me about their foot scanner concept. Loved their design process and teamwork!

By Day #2 everyone was sleep deprived, intense and focussed and the space started to reflect it :)

By Day #2 everyone was sleep deprived, intense and focussed and the space started to reflect it :)

Only an hour left until judging begins...

Only an hour left until judging begins...

It was a bit disappointing to see an all-male judging panel for the main development track in Seq Hack, but hopefully things will improve next year.

The day after the hackathon, there was terrible violence due to the Cauvery river water conflict. It was sad to see this especially just one day after the hackathon where so many futuristic concepts were shared, discussed and built. While a team in the hackathon won for building a robot that can help diagnose your illness, the streets the next day fought over water shortage, communal differences and drought issues.

 

 

Flowers & People
Flowers and People cannot be controlled. team Lab. Singapore 2015.
Flowers and People cannot be controlled. team Lab. Singapore 2015.

A young family enjoys the immersive digital installation 'Flowers and People cannot be controlled but Live Together.' It was part of the 'Art in Motion' series during Singapore art week. I noticed more than 8 massive projectors used to create the space. The flowers and petals grow, wither and die. As you move, the petals try to grow around you along with a tinkling almost fairy-like sound. Overall a beautiful, almost meditative experience.

Creating the Jugaad Dishwasher, The X-Way

The X-Way was a 2 day workshop sponsored by Nokia and Microsoft that focused on ideas, strategies and discussion around improving Mumbai city. Ben & Andrew moderated the workshop, keeping it challenging as twenty creatives and innovators came together with many, many city ideas.

One of the interesting exercises was listing things we love and hate about Mumbai. It was heartening to see that the 'love' pile was so much bigger despite Mumbai's numerous faults.

When discussing Mumbai's numerous problems, traffic cannot be ignored. Everything to do with traffic and way-finding is contextual. Signage is missing in a lot of places. When pedestrians give directions, the meaning may be different depending on the tone of their voice, how they stand, hand gestures and language. Honking has varied meanings depending on frequency, tones, loudness and the length of each honk. The city is a hotbed of large scale issues and topics of interest.

My team eventually looked at pavement ownership as a microcosm of health and sanitation. How could we encourage and create value in a public space such as pavement. We were in posh areas of Mumbai, and even here we found street hawkers taking ownership of pavements (in a good way) keeping them clean and ensuring their part of the pavement was maintained. Eventually we focussed even further and came up to a sugarcane vendor. Could we come up with something to help him wash the glasses in his stall while he was busy doing a million other things like making the juice, serving and cashing. A lot of times hygiene and proper washing was way down in his priorities while multi-tasking.

The final concept after two days of guerrilla research and quick prototyping was the 'jugaad dishwasher' - a mechanically automated machine that washed glasses saving the vendor time and effort as he ran a one-man operation. The washer connects to the juice machine itself so it doesn't need electricity to run. Soap is optional here since most vendors do not use soap. Overall the 'jugaad dishwasher' concept could also work for other street hawkers, juice vendors and with a few upgrades could even save time in someone's kitchen.

Check out some photos of the prototype we made. The video below has a few shots of us talking to sugarcane vendors.

The rotating juicer translates into the up and down movement of the simple washer, which repeatedly rinses the glasses. The trough can be easily refilled and cleaned and occupies minimal space.

We made several quick prototypes using found and re-usable materials. Above is an image representing the juicer wheel. A simple mechanical addition to the wheel as shown above allows it to connect with with dishwasher out of frame.

More about the X Way here and here.

Arduino Yun Workshop

The two day workshop by Ankit Daftery was a great way to dig deep into the possibilities of the Yun. As an interactive artist, I'm already aware of various options available. Trying them out was empowering and surprising. You can make complex interactions with just two to three days of effort [as a beginner], especially at an affordable price.

This example converts two fruits into a drum kit, sort of a very basic version of the famous Makey Makey. Below is a short video of the test.

UX Workshop at Construkt

The workshop focussed on teaching hands-on design prototyping, taking the participants step-by-step through a prototyping process, how to think and analyse their design concept, and even a quick ten minute guerrilla user research activity at the festival grounds. It was rewarding to see the 25 participants get so involved and excited about what they were building. Below are some pictures of the three hour session. It started with some warm-up creative thinking activities, after which the participants chose a random 'everyday-life' object. They then proceeded to redesign it, much to their surprise! One of the participants chose an orange as a common 'everyday' object for the first exercise and ended up 'redesigning' it into a scent dispenser and pen holder. Every participant had a set of raw materials such as card paper, straws, tape and foam pieces to use. UX Workshop participants at the Construkt Festival, Bangalore. The Construkt team gave me a beautiful location under a giant tree on the festival grounds, so everyone could work in the outdoors.

UX participant shows off his prototype, a redesigned Table Tennis racket as part of a completely new type of Table Tennis.

UX workshop participants at the Construkt festival, Bangalore. One of the central goals of my workshop was to make it hands-on learning, and also ensuring it was fun. It is so important to enjoy these exercises since it makes people more relaxed and therefore more creative.

UX participant shows off his smart watch prototype at the end of the workshop. The last stage included quick user research, getting reactions from people wandering around the festival and trying to make last minute adjustments on the first level prototype.

Installation Sketches
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Worked on some collaborative concepts with Ankit Shekhawat who is the head of the Emerging Media lab at Moonraft in Bangalore. We pitched these ideas to an upcoming event in Bangalore. Conceptualizing these installations is a really fun process, especially when budget is not a constraint. Quite proud of these sketches, since we went crazy dreaming up robot drones to do our bidding.

Hoping to get a chance [funding] to build this stuff one day.

Creative Workshop at Sourcebits

Inspired by the Marshmallow Challenge Ben and I organized a creative thinking workshop for the lively crowd at Sourcefest, a two-day hackathon for the employees of Sourcebits. The aim of the session was to get people excited and energetic, and of course get their creative juices flowing. Instead of using marshmallows and spaghetti, I sourced waste foam material and straws. The idea of wasting so much food just didn't make sense [especially in India]. 45 people attended the session. Rules were pretty simple, use only straws and foam cubes, no glue/sticky tape is allowed, and the tallest structure wins. And the tricky part - the tallest point of the standing structure has to be a piece of foam.

Very rewarding to see everyone have so much fun and make crazy structures. Here are some pictures from one hour session.

Vikhroli Skin - Prep

My most recent work will be displayed at this event sponsored by Godrej Labs on the 14th of Dec. It is going to be 200 thousand square feet of art, performances and culture, so don't miss out if you are in Mumbai. The space is an abandoned Godrej factory which will be demolished soon after the art event. The factory will be moved elsewhere. It is deeply relevant to the story of Mumbai and how it has grown into post-industrialization. Here are some images of the space, once the setup starts I will do my best to share photographs of the buildup.

The plan is create an interactive installation using projections, the audience and city images. It is going to be a real challenge setting up an installation outdoors, in the day time, where electricity is coming in from generators. Limited electricity means that planning and testing the installation in another location is crucial.

NID Talk

It was a healthy turnout of about 45 students, still in their first years studying Interaction Design. Talking about my work from the past six years helped me look at it in a completely different perspective, basically the breadth of different types of projects I've done, and what interested me the most. It was titled 'Mobile UX - What it's like to design and create iOS and Android apps today.'

Students were full of questions, which is a great sign. Post talk discussions brought up several interesting topics, such as power dynamics between designers and engineers in the industry today. One thing I always stress is respect - engineers are the ones implementing your work so a healthy respect goes a long way especially in large companies and situations when engineers are part of a client team. Another thing that interaction designers should strive towards, and something I struggle with everyday, is keeping up to date with the latest tech so you can converse intelligently with the team.

One of the stories I like to tell at such talks. Check out the full article here.

NID Bangalore is a R&D hub for design in India. Image Source.

The Clock

While first entering this work by Christian Marclay, I was a bit sceptical due to the expensive MoMA entry fee of $18 and then the huge 45 minute queue to watch the video. Eventually I got in and it was worth the effort. Almost calming, at times ironic and humorous this 24 hour video work pulls you in and makes you just sit and watch for a while. I managed to watch it for 30 mins the first time and 2 hrs the second time. Almost addictive and hypnotic it's amazing how accurate the film is and lovely to spot familiar scenes from favorite movies or old classics I was forced to watch in art school.

A must-watch for anyone interested in the video art side of things. Ever since I accepted the fact that I cannot enjoy art at a purely intellectual level it is much easier for me to spot things that I like versus things I don't like. It's almost crude to divide art into these groups but it is true. You either feel something when you look at a work or you just don't feel it. You can still enjoy the techniques/concept/history/context/etc. that the artist uses but eventually it doesn't matter. If you really want to become an art lover, then be honest and admit that the giant 100 yr old oil painting of a naked woman is pretty cool but doesn't do anything for you.

The Clock 2010 by Christian Marclay. Single-channel video with stereo sound. Twenty-four hours. Image Source.
Gallery Reflexive

Prajakta Palav (Dec, 2011). This caught my eye because of the way she has used the gallery floor in her work. It is intelligent and relevant, especially in these old buildings of South Mumbai that are converted into gallery spaces. What I love about this is how the work is almost indistinguishable from the gallery floor at first glance. It makes you sit up and pay attention. Here are some pictures I managed to take from my mobile phone.

Reclining Buddha Murals

These are photographs of the detailed murals that decorate the walls and windows of the Reclining Buddha temple. It exists in a much larger temple complex called the Wat Pho, which contains several hundred images of Buddha, many stupas, a huge Bodhi tree, stone statues and smaller temples. The scenes narrate the story of Buddha, and remind me of the vast murals in the Ajanta caves which are much older.

From the photos you notice that some parts of these murals look newer than others. I can only guess that these parts have been restored and touched up recently.

Mumbai's First Comic Con

Mumbai's first comic con was crowded and full of enthusiastic fans and artists. I even met several NID alumni and graphic designers, so I'm hoping there will be another one next year. Amongst the notable independent graphic novels being sold, the ones that caught my eye were Hush: A Silent Scream, Twelve: Prelude 0.2, Milk and Quickies and The Itch You Can't Scratch.

Hush by Pratheek Thomas and Rajiv Eipe. Manta Ray Comics, India.

Detail, inside page.

The preview of the book is beautifully illustrated and literally breaks the silence on a socially relevant and taboo topic with a depth of understanding. It gave me so much hope for the future of independent art like this in our cities.

Twelve: Prelude 0.2 by Jasyot Singh Hans and Prabha Mallya. A collection of short stories.

Wonder Bai by Abhijeet Kini, a hilarious series. Others such as Wolver Anna, Angry Moushi etc. were also sold.

Neon Workshop

The neon workshop was a one-day crash course on making neon lights. Detailed demonstrations on how to bend glass tubes, suck out all the air and then fill the tube with either neon, argon or helium took up the first half of the day. The second half was spent exploring the material, after which we were given free reign on the propane blowtorches!! :)

Cutting a glass tube

Glass tubes are bent after careful heating in the right angles, using gravity. Results like this only come after lots of practice.

The ribbon burner has a long flame that softens a large part of the tube evenly.

Joining two glass tubes using a precise burner was extremely difficult. I totally failed at my attempt, I ended up blowing a glass bubble instead because of too much air, and then the bubble burst. A tube with a hole can never be used for neon.

Part of the giant machine that creates a vaccum in the tubes before filling it with the required gases.

Neon master Julia Bickerstaff and British artist Richard Wheater encouraged us to question the limits of the material and explore its potential in relation to our individual art practice. That was the best part, being introduced to a completely new medium and told to freak out with it on the same day. Also worth mentioning was how to transcribe an idea into a drawing for neon-making.

The video below is my work (made by Julia of course) which we filled with helium. I love the colour of helium, its a natural pink hue that went well with the concept, which is the number sixty-nine in Devanagari letterforms. Due to a few impurities added in the tube flickers continuously, an effect that I really really wanted to try out. Another way to do this would be to programme it to flicker. However this is purely physical and does not need any external controls.

The best work was displayed later at the Light Night festival in Bournemouth town center and the Neon: Shaping Light exhibition at the text+work gallery.

Shift Exhibition

Have a look at our post-graduate show Shift. This friday (9th September) is the last day so don't miss it if you're in or around Bournemouth :)

Artist Yi Lu with her paper mache world

Subconscious Form by Shiro Araki

Urban Brick by Bana Toutounjee

by Taro Morimoto

Mumbai/Bombay by Aditi Kulkarni

New Blindness by Rocco Nahas

A stretchable movie by Richard Hurst.

Be-Bee Project by Kaya J. Lee

The Ophelia Project by Samantha Else.

Venice Food
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A post on Venice food as promised! So sorry about the huge delay I've been busy with two art shows this month, my post-graduate show and Out Of Sight. Anyway, gelato is the most important food of Venice especially if you're a broke student. I practically lived on it.

Small bakeries are great places to stop when you're lost in Venice and tired after walking for hours.

Pasta at the supermarket in Venice :P

Fucking tiny lasagna. Beware of overpriced and touristy restaurants that serve tiny quantities of food. I paid twelve euros for this!

A chocolate shop :)

Hotel snacks before our night out. Also don't forget to try lots of Bellini, it's an awesome mix of peach and champagne.

Cafe's are a good place to grab a quick bite of affordable pizza and/or a sandwich when you're on the go, which was most of the time for us since we were obsessed with seeing as much art as possible in six days.

Aditi Kulkarni1 Comment
Out of Sight

The exhibition Out of Sight is from 17th to 24th of September from 11am to 6pm and will showcase a wide variety of artwork from multimedia installations to sculpture and drawing.

With an unused underground car park as its gallery walls, Out of Sight investigates the resilience and flexibility of art, and the need for its development with supporting communities in unorthodox circumstances: an appreciation for the otherwise overlooked in the chosen location compliments the political provocation of the role of the outsider in society and rebellion against industry precepts.

Below is a video by Michael Compton of day two of the massive clean-up of the dark, unused space.

More on Shadows
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In his essay In Praise of Shadows Japanese novelist Tanizaki writes about the conflict between western and eastern aesthetics in the modern world. He says that Japanese 'find beauty not in the thing itself but in the patterns of shadows, the light and the darkness, that one thing against another creates.' He emphasizes beauty in subtlety and that which cannot be seen too clearly, leaving some of the experience to our imagination. Pallasmaa talks of something similar when he emphasizes the importance and intimacy of darkness:

The eye is the organ of distance and separation, whereas touch is the sense of nearness, intimacy and affection. The eye surveys, controls and investigates, whereas touch approaches and caresses. During overpowering emotional experiences, we tend to close off the distancing sense of vision; we close our eyes when dreaming, listening to music, or caressing our beloved ones. Deep shadows and darkness are essential, because they dim the sharpness of vision, make depth and distance ambiguous, and invite unconscious peripheral vision and tactile fantasy. (Pallasmaa, 1996, p.46).

Pallasmaa continues to say that bright lights kill our imagination whereas twilight, dimly lit spaces and foggy scenes spark our sense of mystery, the mystical and mythological. Tanizaki also mentions this sense of tranquility and calm in shadows, that which separates the inside from the outside:

Whenever I see the alcove of a tastefully built Japanese room, I marvel at our comprehension of the secrets of shadows, our sensitive use of shadow and light. For the beauty of the alcove is not the work of some clever device. An empty space is marked off with plain wood and plain walls, so that the light drawn into its forms dim shadows within emptiness. There is nothing more. And yet, when we gaze into the darkness that gathers behind the crossbeam, around the flower vase, beneath the shelves, though we know perfectly well it is mere shadow, we are overcome with the feeling that in this small corner of the atmosphere there reigns complete and utter silence; that here in the darkness immutable tranquility holds sway. (Tanizaki, 1977).

In my work there is a combination of bright light that hurts the eye and multiple shadows. Parts of the space are brighter and dimmer than others. The views of the city begin with twilight, continue to sunset and then cycle back to twilight in an endless loop. Various kind of shadows are present in the work, those that are glaring and sharp and others that are subtle and noticeable only after an amount of time spent in the space. Due to a feedback loop dim mirror versions of yourself are also visible in the walls, each a mere second after the next. The overall effect is an experience which is disconcerting as you see several shadows of yourself, the other in the walls on either side. Despite bright lights the audience cannot see the entire work because the city is fragmented with shadows. The gaps and shadows leave the final interpretation up to the audience themselves. It is an experience which aims to express the inner conflict of the city, which I call Mumbai.

Reference: Pallasmaa, J. (1996). Eyes of the Skin: Architecture and the Senses. John Wiley & Sons: UK. Sowin, J. (2006). In Praise of Shadows: A Meditation. [online]. Available from:http://www.fireandknowledge.org/archives/2006/09/23/in-praise-of-shadows-a-meditation/ [Accessed 17th August 2011]. Tanizaki, J. (1977). In Praise of Shadows. Leete's Island Books: USA